Department for Digital, Culture, Media and Sport
Government investment backs museums of the future
- Also published by:
- Department for Business, Energy & Industrial Strategy
Britain’s cultural treasures could be made accessible from our homes, schools and public libraries thanks to a £19 million government investment.
- Investment will give the public the chance to engage and share experiences of interactive exhibitions on an ambitious scale
- pioneering digital catalogues will facilitate knowledge-sharing and increase access to the best material for the UK’s world-leading research community
Museum exhibits could soon be viewed in people’s homes, libraries and schools as part of a new £19 million government-backed programme announced recently (26 October).
The initiative could revolutionise the way visitors can interact with our cultural collections by placing visitors at the heart of exhibits and helping design novel technology and digital tools. These include augmented and virtual reality, sound and interactive exhibits, creating sensory and emotional experiences for visitors.
This programme will build on the UK’s reputation as a major tourist destination and leading light in innovative research, creating new possibilities and innovations for museum storytelling and opening up the public’s imagination by bringing together entire collections together online.
UK museums attract millions of visitors every month, while government-sponsored museums make up 7 of the 10 most visited free attractions in the country. The new programme could eventually see art and culture made fully accessible to everyone, with digitisation of cultural collections allowing people across the country to enjoy Britain’s national collections from the comfort of their own home. This could expand cultural treasures to those in remote areas and help local museums – large and small – to engage visitors with innovative, immersive experiences.
Science Minister Chris Skidmore recently said:
Museums can be the perfect fusion between the sciences and the arts, with the creative sector and the humanities working together with new technologies to change how we can experience culture. Creating more ways of seeing and engaging with the treasure trove of experiences available at museums and exhibitions of all kinds means that we are at the forefront of designing the museums of the future.
The government is determined to build on this reputation by investing through programmes like this to expand access to our cultural riches.
This cutting-edge programme will help UK museums engage visitors with innovative new immersive experiences – as well as supercharging knowledge-sharing within our world-leading research sector.
Online interactive tours or live streams would open up the national collection to a diverse audience consuming culture and research - such as younger generations who spend more time online - and would also offer remote access options to those with mobility issues or in rural areas.
Arts Minister Helen Whately recently said:
Our museums and galleries teach us about our past and help us to better understand the world around us. This funding will see cutting-edge tech enhance the visitor experience, providing exciting new ways for people to explore our history.
The programme announced recently (26 October 2019) has the potential to build on the work of previous exhibitions which have plunged visitors into new worlds through technologies such as 3D holograms and artefacts encouraging visitor interaction.
The David Bowie exhibition at the V&A, using an innovative 3D audio display attracted more than 1.5 million visitors, while the Leonardo Exhibition at the National Gallery – opening in November – provides visitors with an immersive experience where they can see the layers of a painting using projection technology.
Meanwhile, following a separate £4 million government investment earlier this year, content creators Factory 42 will produce 2 multi-sensory, interactive worlds in London’s Natural History Museum and Science Museum to open in 2020. At the Science Museum, visitors will take part in a mixed-reality experience featuring high-resolution 3D images of robots, while the Natural History Museum will bring dinosaurs to life through the story of a palaeontologist’s discoveries.
John Cassy, CEO, Factory 42 recently said:
Given our work at Factory 42 combining new immersive technology with new ways of storytelling - in projects such as Hold the World with the Natural History Museum and Sir David Attenborough, Painting the Future with the Royal Academy, and now our latest project re-imagining museum experiences at both the Natural History Museum and Science Museum next year - we welcome further opportunities for these iconic institutions to apply ground-breaking technology and content to engage visitors.
The new programme also aims to create a centralised, digital collection of research assets to open them up to both students and researchers across the UK, accelerating knowledge-sharing and boosting the UK’s world-leading research community’s capability. Museums across the UK take part in thousands of research partnerships each year including the Natural History Museum’s mosquito data helping to combat the Zika virus.
Researchers will identify the best approach for joining up research data and digital assets online to create one, unified collection which is widely available to anyone who wishes to view it. The programme aims to do this by exploring new digital search and cataloguing tools. ‘Discovery’ is an example of an existing online catalogue from The National Archives – which enables searches of archives across the country.
John Sheridan, Digital Director at The National Archives recently said:
This investment expands our horizons. Through the advanced digital linking of our collections we can transform everyone’s ability to research our nation’s incredible cultural heritage.
The £19 million investment from UK Research and Innovation (UKRI) is the latest move by government to ensure the UK remains one of the most attractive places in the world to study and conduct research in the world; as currently 37% of all arts and humanities postgraduate students are from abroad. The announcement follows the government reaffirming its commitment to invest at least 2.4% of GDP in R&D by 2027.
Notes to Editors
Jonathan Newby, Managing Director, Science Museum Group recently said:
Our mission is to inspire futures and we are constantly innovating in how we engage with people and exceed their expectations when they visit the museum. This kind of funding can be transformative in helping museums and their partners to attract new audiences and deliver educational experiences that have a lasting impact.
The recent announcement follows the publication of the Culture Is Digital report in 2017 which set out how the government would work with museums and galleries to explore how culture and technology can work together to increase participation by providing access to cutting-edge technology and digital skills.
About the Strategic Priorities Fund
The Strategic Priorities Fund (SPF) supports high quality multidisciplinary research and development priorities and is delivered through UK Research and Innovation. This is from the second wave of SPF funding of £496.8 million.
About the project
Towards a National Collection: Opening UK Heritage to the World (AHRC)
Arts and Humanities Research Council (AHRC) with DCMS and AHRC Independent Research Organisations (IROs)
Funding: £18.93 million over 5 years
Location(s): Several across the UK, based on participating IRO or HEI location
The AHRC’s Independent Research Organizations (IROs) include many of the world’s pre-eminent museums, galleries and archives, playing a highly significant role in the UK’s international prestige and in its multi-billion heritage tourist economy.
These institutions are not only unrivalled windows on research for the general public, but outstanding centres of research in their own right. But their potential is still underexploited. Moreover, the benefits they bring are still too concentrated in metropolitan centres, and on familiar audiences.
This project forges new partnerships between IROs and universities, amplifying and deepening their joint research power. Using the potential of new technology, it will dissolve barriers between different collections, opening them up to new cross-disciplinary and cross-collection lines of research, and at the same time radically diversifying their visitor base.
It will therefore realise the collections’ full potential not only for research but for social good and for the tourist and heritage economy, and take the first important steps towards creating a unified virtual ‘national collection’.
The project will be delivered via funding a leadership fellow who will oversee and coordinate up to 8 foundational collaborative projects and up to 5 major discovery research projects via commissioning and open calls.
About Factory 42’s exhibitions
In January this year the government announced £18 million of government/Industry funding for projects developing the next generation of immersive experiences – as part of the Industrial Strategy Challenge Fund Audience of the Future programme
Factory 42 are the company behind Hold the World with David Attenborough, a first of its kind immersive and interactive virtual reality experience at the Natural History Museum for Sky VR.
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