ARTS MINISTER PLACES TEMPORARY EXPORT BAR ON A ROMAN MARBLE STAT

7 Aug 2003 02:15 PM

Minister of State for the Arts, Estelle Morris, has placed a temporary bar on the export of a Roman marble statue of Venus. It is widely regarded as the most important of the ancient sculptures acquired by William Weddell for Newby Hall in 1765. This will provide a last chance to raise the money to keep the statue in the United Kingdom.

The Minister's ruling follows a recommendation by the Reviewing Committee on the Export of Works of Art that the export decision be deferred. This reflects the close association of the sculpture with Grand Tour collecting and its integral connection to the sculpture gallery at Newby Hall, its outstanding significance for further study of the workings of the antiquities market in the 18th century, and its exceptional aesthetic importance.

The Committee have awarded a starred rating to this item, meaning that every possible effort should be made to raise funds to retain it in the country. The deferral will enable purchase offers to be made at the following agreed fair market price:

A Roman marble statue of Venus, known both as the "Jenkins" and "Barberini" Venus, deferred at the recommended price of just over £ 8,053,800 (including VAT) until after 7 October 2003. The deferral period could be extended until after 7 April 2004 if there is a serious intention to raise funds with a view to making an offer to purchase.

Anyone interested in making an offer to purchase the sculpture should contact the owner's agent through:

The Secretary
The Reviewing Committee on the Export of Works of Art
Department for Culture, Media and Sport
2-4 Cockspur Street
London SW1Y 5DH

NOTES TO EDITORS

Pictures of these items can be downloaded free of charge from our site on PA Picselect.

Please go to the DCMS folder situated within the Arts section of Picselect either at www.papicselect.com or through the PA bulletin board.

The statue is of Parian marble and stands 1.63 in height on its pedestal. It is of the goddess Venus, standing naked, with a support next to her left leg in the form of an alabastron with a flat shell on top and entwined with a heavily laden vine in which two tiny Erotes play as a third collects apples into a basket at the foot of the vine. The goddess wears two arm bands; that on the right arm is not ancient, but the one on the left arm is ancient and is decorated with dolphins.

The Jenkins Venus is normally regarded as a copy of the so-called Medici type (named after the celebrated example from the Medici which has been in the Tribuna of the Uffizi since 1677). It would thus be a Roman copy, dating from either the late first century or the first half of the second century AD, of a Hellenistic type, probably created in the second century BC. The general pose and scale of the statue fit the Medici type, but the arrangement of the hair over the shoulders is unparalleled and suggests a slight variation on the normal type.

William Weddell inherited Newby Hall on his father's death in 1762. In 1764, he set off on a Grand Tour, in the company of the Rev. William Palgrave. He already had clear notions as to how he wished to improve the house. In Rome, where he arrived at the end of December, he began purchasing marbles for his intended Sculpture Gallery.

Palgrave wrote that "Weddell is buying such a quantity of pictures, marbles etc as will astonish the West Riding of Yorkshire". His preferred dealer was Thomas Jenkins (1722-1798), who wrote in 1765 that Weddell had purchased "the greatest part of the Paintings and Sculpture that I had." In March of 1765 Weddell had 7 cases of marbles exported from Rome, in April a further 12 and in May some 86 paintings and the Jenkins Venus, a sobriquet first attached by J.J. Winckelmann.

The Jenkins Venus is a composite statue and has undergone extensive restorations. Its story begins in 1738, when it is recorded in an inventory of the Barberini collection as "una statua al naturale rappresentante una Venere nuda con tronco a'piedi, con diversi putti di bassi rilievi, uva e frutti." The "marrying" of the torso with the left leg, support and fragment of the plinth must, therefore, have been done before it was acquired by Gavin Hamilton (1723-1798) in 1763 for 300 scudi (c. ,65). Further restoration work was then carried out, either by Pietro Pacili or by Bartolomeo Cavaceppi, or by both. The head, which is clearly alien, had been, according to Joseph Nollekens, a portrait of Agrippina which had a veil trimmed away by the restorer, who also trimmed the neck to fit the torso. The right leg and arms may well have been added at this point too. The sculpture, when perfectly completed, was finally exhibited by Jenkins in 1764 with no information as to its origins other than a claim that it had been found intact.

Weddell was shown the sculpture in the spring of 1765 and persuaded to buy it for a sum which is reported as being anywhere between 1000 and 6000 guineas. It was exported from Rome with a "lettera di passo" of the Papal Chancellor dated 17th May 1765, with a detailed declaration to Customs concerning the recent restorations and the valuation that appeared in the Barberini accounts, all in order to reduce the export fees. Papal permission had only been obtained because of "the fortunate circumstance of its being a naked female", as Jenkins records, and the rumour promulgated by him that the purchaser was the King of England.

Weddell returned to Newby Hall in the summer of 1765. He then employed Robert Adam to prepare the scheme for the interior of the sculpture gallery. The result was a beautiful triple-roomed gallery, a square room on either side of a central domed rotunda, all richly decorated with delicate plasterwork, providing an extraordinary setting for the Venus, along with Weddell's other classical sculptures.

The recommended price at which the application to export the statue is deferred is £ 8,053,813.75 (including VAT).

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Department for Culture, Media and Sport
2-4 Cockspur Street
London SW1Y 5DH
www.culture.gov.uk